"Getting
on the subject of beautification is like picking up a tangled skein
of wool," she wrote in her diary on January 27, 1965. "All
the threads are interwoven -- recreation and pollution and mental
health, and the crime rate, and rapid transit, and highway
beautification, and the war on poverty, and parks -- national, state
and local. It is hard to hitch the conversation into one straight
line, because everything leads to something else."
Lady
Bird first began her beautification efforts in Washington, D.C. but
as she and her husband had driven many times from their home in the
Texas Hill Country to D.C., she had become frustrated by the numbers
of junkyards and billboards along the way.
She
wanted the highways filled with green landscaping and wildflowers,
and so began promoting legislation that would accomplish her goals.
Supporters contributed millions of dollars in support . . . urban
activists and environmentalists were thrilled . . . corporations,
polluters, and advertisers were not.
The bill was fully supported and signed by her husband, then President Lyndon B. Johnson, and although lobbyists and Republican sympathizers watered it down and the provisions for enforcement were somewhat weak, the legislation passed and was nonetheless significant because it made a loud and clear statement across America that our land, in every way, is fragile and worthy of protection and preservation.
Unfortunately, that particular Act became convoluted over time and has not been effective in curbing and eliminating the problems it was designed to address. It is, in my opinion, just one more item on the very extensive "America's Shame" list. I was not a fan or supporter of the Johnsons, but I've longed admired Lady Bird's intent and efforts, and in my opinion, the HBA should be revived and restructured, not only in memory of Lady Bird, but also in an effort to beautify a land that deserves respect.
Recently,
a Twitter twit tweeted to me that I have not given any reasons for
opposing gas drilling and fracking other than that "the
equipment is ugly" . . . his comment, silly and obtuse as it
was, partially prompted my writing this post.
Given the nature of this blog (and the fact that there are at least 225 active gas wells within a very few miles of my home), I don't believe there's any doubt about my stance on this issue. And right here in
the DFW metroplex, one can find several online sources offered by enlightened people
who can provide, for anyone who wants to know, in-depth explanations,
statistics, analysis, and studies about the gas industry and its
operations and health & environmental impacts. I encourage anyone
who does not fully understand this business or may be on the fence
about it, to seek out those sources, most of which you'll find on
this blog's sidebar, and you can read and learn about what really
goes on in this big business industry, its government connections,
and field operations. Therefore, there's no particular reason for me to to
offer the exact same content in my individual posts,
especially at the risk of a "cut & paste" appearance.
That
all said, let's be real - the wells are here, they'll probably keep
right on a-drillin', and so the best activists can do is push, push,
and continue to push for stringent oversight and constant monitoring,
stronger legislation, well-defined regulations and enforcement by city
government and state agencies.
But
in my opinion, it doesn't stop there . . . part of the effort
includes the preservation of our land, from keeping it healthy to the
simple issue of aesthetics.
Now . . . to an update on the Chesapeake Day site on Ragland Road.
You may click HERE and HERE to read about Chesapeake's alleged commitment to be "good neighbors" and how its Landscape Designer is "powering progress in the Barnett".
In a direct - or indirect - response to this blog bringing attention to the lack of walls and designer landscaping at the Ragland Road site, the following photos show the brand new fencing . . .
Brought to you by your GOOD NEIGHBORS, CHESAPEAKE ENERGY.
Above you see workers installing the fencing . . .
And below are new photos of the finished product . . . a basic, tall chain link fence.
Chesapeake Energy:
May we assume this is the completion of your fencing project and that it is your idea of melding a drill site into the surrounding environment?
Although you are evidently not legally required to adhere to the wall/landscaping requirements of the city ordinance, since these wells were drilled pre-amendment, if you truly mean what you say in your promotional videos, you should have already taken the initiative to construct masonry walls and install landscaping because it would be the "good neighbor" thing to do. It would have made a positive statement in your favor.
Some years ago up in Wichita Falls, a former council member had an innovative idea
and started a contest asking local artists to submit their ideas for
building murals to be painted throughout the downtown area. His goal
was to have 100 different murals created.
Several initial entries were submitted and an artist was
commissioned to create the first mural, with funding from a local
industry. But that wasn't what the gentleman had in mind - he
wanted artists and volunteers to come forward for the simple reason
that they wanted to see their city improved.
The
program was then implemented through the Downtown Development/Public
Art Program as the 100 Mural Project. And in addition to local artists and volunteers he hoped would come forward, he wanted to use
the talents of those who were already painting downtown buildings - the
graffiti artists. When
asked why he would reward a graffiti artist who vandalized, he
said because they're good - the only difference between graffiti and
a mural is permission.
So to Chesapeake (and all other gas operators in urban areas of the Barnett), the Ragland Road Chronicle offers the following:
Implement a pilot program, starting with the Ragland site and targeting other urban sites located in open, obvious, and well-traveled areas . . . build a masonry wall and employ the talents of local artists to create fantastic works of art along the walls. The artwork could depict scenes that will pay tribute to the specific area's history (i.e. the Chisholm Trail mural in Sundance Square) or of landscapes, trees, plants, and flowers indigenous to Texas. Some sites could include "toned down" abstract graffiti art that would blend in, make a statement.
So to Chesapeake (and all other gas operators in urban areas of the Barnett), the Ragland Road Chronicle offers the following:
Implement a pilot program, starting with the Ragland site and targeting other urban sites located in open, obvious, and well-traveled areas . . . build a masonry wall and employ the talents of local artists to create fantastic works of art along the walls. The artwork could depict scenes that will pay tribute to the specific area's history (i.e. the Chisholm Trail mural in Sundance Square) or of landscapes, trees, plants, and flowers indigenous to Texas. Some sites could include "toned down" abstract graffiti art that would blend in, make a statement.
The concept of building murals is not new to the metroplex as there are many throughout the cities, and there are artists - amateur and graffiti - who would no doubt be eager to lend their talents for either minimal remuneration or simply the public credit for their work.
It's
evident the industry wants to portray itself as "community
involved" and caring, while promoting the idea that gas drilling
is safe and not harmful to people or the environment - and it's
evident, too, that there are growing numbers of those who oppose you
and will contradict what you say and promote. The aesthetically
unpleasing qualities of sites like Ragland Day serve as blatant reminders to the public just how intrusive these well sites are in neighborhoods, around private residences, schools, parks, and businesses.
So even though the public will know what "lurks behind", you can at least tastefully and artistically "hide" these monstrosity drill sites.
Seems to me that while the giant elephant will forever be in the room, Chesapeake and other industry operators could take a progressive step forward by adopting ideas like the one suggested here.
So even though the public will know what "lurks behind", you can at least tastefully and artistically "hide" these monstrosity drill sites.
Seems to me that while the giant elephant will forever be in the room, Chesapeake and other industry operators could take a progressive step forward by adopting ideas like the one suggested here.